Friday, May 10, 2013

Thursday, May 9, 2013

Wednesday, May 8, 2013

Tuesday, May 7, 2013

The Rolleicord Vb

The Rolleicord Vb Type 2 is arguably the best model to get in the "Cord" line up. The Vb was was the last model to be made between 1962 and 1976. 

You can find them on eBay for an average price of $500 for one in good condition. Or you can try expert Rollei repairman Harry Fleenor who can also install a more modern ground glass to make it easier to focus. http://www.rolleirepairs.com  . There is also an abundance of accessories available such as bayonet filers, lens hoods, cases, 35mm film inserts, etc.

I had bought two different cameras and took both of them to him and he advised which was the better. 

Now the only trick is to make sure there is still FILM available for these gems. 
Camera TypeManual focus, leaf shutter, Twin Lens Reflex (TLR)
Format6 x 6cm
Film Back/LoadingStandard manual loading,put in film,match arrow to red dot,close back and wind to first frame; Frame counter located in side window;
Film Type120 film ONLY: 6 x 6 (12 frames)
Lens/MountBuilt-in 75mm f/3.5 Schneider Xenar taking lens and Heidosmat 75mm f/3.2 viewing lens
ShutterMechanical lens shutter; Shutter speeds 1 sec. to 1/500th and B with "X" flash contact at all shutter speeds
Shutter ReleaseAccepts standard mechanical cable release
Self Timer10 second delay
Flash SynchronizationYes / X for electronic flash
Exposure MeteringNo
Depth-of-Field PreviewNo / Depth of field scale on focusing knob
ViewfinderFolding viewfinder hood with pop-up magnifier and fold-out sports finder is supplied as standard; Checkerboard screen
Viewfinder InfoNo
Film TransportManual film winding crank located on camera body side;winding knob advances film,the shutter has to be cocked separately.
Multiple ExposureYes, by cocking the shutter and shooting without winding the film
Focusing SystemManual with rotating knob on camera body side; Minimum focusing distance 2-2/3'






f8 and be there

http://www.keithskelton.com/album/mexico214

We all get into ruts now and then and photographers are no different. We get used to photographing the same old thing over and over and wonder if our photographic vision has come to a standstill. The more one shoots, the more likely we will fall into the rut.

I've been in this mindset numerous times. Sometimes it helps just to have a new shooting environment or wonderful travel location to excite the senses. Sometimes a new or different piece of equipment does the trick.

A few years ago I decided I needed both a trip to a new location and a different camera than I was used to. Mexico was the location and the camera was a Rolleicord Vb twin lens reflex camera that shoots 120mm film (2.25 X 2.25in).

I also decided that there would be no digital, no 70-200 zoom, no memory cards, no batteries, no light meter, etc. It would be the one camera and about 80 rolls of B&W film. (The Rollei shoots 12 exposures per roll).

The idea of only bringing a medium format film camera was actually quite frightening. A camera with a "normal" lens as my only choice!

Yikes!

But it turned out to be the best move I could make to shoot some fresh pictures for myself. It was literally f 8 and be there.

Never be afraid to try new subject matter, new cameras and new locations. It will almost always get your creative juices flowing.

Take a look at the photos: (I scanned the BW negs and processed in Lightroom) http://www.keithskelton.com/album/mexico214

Keith Skelton Photo

From phone to frame: Best apps for printing your photos - Connect

From phone to frame: Best apps for printing your photos

Keith Skelton Photo

Thursday, May 2, 2013

Sebastião Salgado: The silent drama of photography | Video on TED.com

Sebastião Salgado: The silent drama of photography | Video on TED.com

Economics PhD Sebastião Salgado only took up photography in his 30s, but the discipline became an obsession. His years-long projects beautifully capture the human side of a global story that all too often involves death, destruction or decay. Here, he tells a deeply personal story of the craft that nearly killed him, and shows breathtaking images from his latest work, Genesis, which documents the world's forgotten people and places.

Sebastião Salgado captures the dignity of the dispossessed through large-scale, long-term projects.